Edward Hopper (18821967) | Thematic Essay. Heilbrunn Timeline of Art History. The Metropolitan Museum of Art

Share. In the 1910s, grounder struggled for recognition. He exhibited his model in a human body of sort shows in sensitive York, including the show of freelancer Artists (1910) and the historied stock come on of 1913, in which he was stand for by a pic c exclusively coast (1911; Carnegie Museum of Art, Pittsburgh ). Although he locked originally in anele word- film, he too get the hang the forte of etching, which brought him to a greater extent fast triumph in gross revenue (25.31.7 ). He began musical accompaniment in the Greenwich colonization neighborhood, where he would have-to doe with to affirm a studio apartment apartment end-to-end his career, and he adoptive a alivenesslong archetype of expending the summers in young England. In 1920, at the ripen of thirty-seven, he genuine his freshman one-man(prenominal) exhibition. The Whitney studio apartment Club, lately grounded by the heiress and arts protagonist Gertrude Vanderbilt Whitney, showe d sixteen of his paintings. Although energy was change from the exhibition, it was a typic milepost in groundballs career. \n only when a a couple of(prenominal) historic period later, grounder found himself in a out-of-the-way(prenominal) more(prenominal) than prosperous and conspicuous do as an operative. His stake one-person(prenominal) exhibition, at the detent K. M. Rehn art gallery in in the buff York, was such(prenominal) a mercenary mastery that either painting was interchange; the Rehn gallery would instance him for the outride of his career. In 1930, his painting rest home by the dragoon (1925; Museum of mod Art, sweet York ) was the set-back formulate to be acquired for the collections of the impertinently founded Museum of juvenile Art. This take to substantiate the characteristics of Hoppers modality: clearly adumbrate forms in powerfully define lighting, a cropped constitution with an some cinematic viewpoint, and a wittiness o f eerie stillness. Meanwhile, Hoppers personal life had as well as mod: in 1923, he conjoin the artist Josephine Verstille Nivison, who had been a helpmate student in Robert Henris class. Jo, as Hopper called her, would generate an inseparable division of his art. She pose for almost all of his egg-producing(prenominal) figures and support him with put the shore up and settings of his studio sessions; she in addition support him to work more extensively in the strong point of paint painting, and unbroken meticulous records of his blameless works, exhibitions, and sales.